10 December 2009

Arctic Monkeys, Screaming Females - Terminal 5, New York, USA - Thursday 10th December 2009

Whilst I was on a work trip in Philadelphia, Arctic Monkeys were due to play a club gig in nearby New York. I wasn't really a big fan of their latest album, and had also spurned the opportunity to see them in London the previous month (I didn't fancy a trip out to Wembley Arena). But, with the excuse of an evening in New York thrown in, I bailed out of work an hour early, and headed up to New York on the train, taking in some of New Jersey's highlights on the way. On arriving in New York, the temperature seemed to have dropped by 10 degrees from Philadelphia, making it a memorable trip as the wind blew through my coat like it weren't there. VERY cold indeed.

We eventually made our way up to 56th street, to Teminal 5. There were a good number of touts outside and in the nearby streets, suggesting that an Arctic Monkeys gig was a bit of a big deal at least. After an obligatory ID check, we got into the venue, a large hall with a couple of levels of balcony around the edges. The crowd was pretty young, with lots of New York high school kids, college students, and a fair number of English voices around also. There were also lots of the kind of people you expect to see at a gig like this in New York - people who thought they were ultra cool, but in reality came across as a bit self absorbed and/or coked up.

The support band were a three piece called Screaming Females, who came from New Brunswick, New Jersey. They had a strange looking woman on lead guitar and vocals, who was the only female in the band. Their guitars sounded pretty fantastic (I would expect you need to see them live to appreciate this, as I doubt their recorded stuff is as good), but sadly the same couldn't be said of the vocals. For the vast majority of the songs I heard, I found myself wishing that the singer would concentrate on just playing the guitar as well as she was, and would get somebody else to do the vocals. Despite that, the songs were good, and the quality of that lead guitar made you willing to forgive quite a bit.

After a short break, Arctic Monkeys appeared, looking very different to the last time I saw them. Longer hair, more rock star looking, and generally looking the part much more. Their first few songs drew quite heavily from Humbug, featuring quite a few false song endings which drew applause, only for the song to kick back in again with more noise than before. Throughout the set, I thought the sound was fantastic - both from a technical point of view inside the venue, but also the way the band set themselves up to play live. When they played some of the older songs, they sounded very accomplished indeed, with some excellent new twists on the way they were played. Despite not having really liked the new album before this evening, the songs they played from it sounded really very good - forcing me to go back for another listen to the album.

As well as the new songs, there were obviously some of the old favourites - I thought that Still Take You Home was amazing in particular. The best audience reactions seemed to be for Brianstorm and I Bet You Look Good On The Dancefloor, the latter of which featured some very enthusiastic crowd surfing. The band ended their main set with a reworked and brilliant sounding version of Fluorescent Adolescent, which also featured an interlude where the drummer sang Last Christmas. Great stuff. Throughout the show, the crowd were roaring their appreciation between songs, and Alexa Chung was busy dancing on the balcony. All in all, the band went down a storm.

Despite the very late night, I was really glad I went to this. Arctic Monkeys had been getting muted reviews for their latest album and live shows, so I wasn't sure whether I would enjoy it. But, the gig was so much better than expectations, and confirmed just what a good band they are. I also feel lucky to have seen them in such a small venue (rarely possible these days in the UK), which is how they come across best. A fantastic band, playing a set that sounded really special.

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