Dead Social Club, Nerys Joseph, Jon Paul Palombo - The Enterprise, London - Saturday 31st October 2009

After the excitement of beating Spurs, what could improve the day more than an afternoon's celebratory drinking, followed by a gig in the evening? Being Halloween, there were lots of people out and about in fancy dress, and being a warmer than expected (for the end of October) evening, the streets seemed to be busier than ever around Camden. My destination was the Enterprise, where a few decent bands played. Last time I went to a gig at the Enterprise, the band were amazing and the floor almost caved in, so expectations were high!

First band on was really a solo guitarist and vocalist called Jon Paul Palombo, who had a backing vocalist here to help him out. His full band are supporting Glen Matlock a few days after this gig, and he was just filling in for another band at this gig. The songs were pretty much all decent, and you could see that they would work a treat when played with a full band. Put simply, they were obviously far too good for a "bottom of the bill" slot at the Enterprise - so it was a treat to see them there - I suspect their normal home is playing bigger slots at bigger venues.

Next up was a lady called Nerys Joseph, who sat behind a keyboard and played what I guess you could describe as "angst ridden" songs, about things that angst ridden females write songs about. Played on a piano, they sounded nicely melodic, and her voice was quite powerful too. She had a flautist and a guitarist for some of the songs - and although it wasn't exactly my cup of tea, she obviously had some talent for singing and songwriting.

Even more "not my cup of tea" was the next band. I don't know what they were called, but what they were doing didn't float my boat at all. Its probably a good point to remember the phrase "if you have nothing good to say, say nothing", to suffice to say that the bar was calling loudly after a couple of songs of their set.

Finally, the band I had come to see, Dead Social Club. They had got into the Halloween spirit, arriving on stage in white t-shirts that they had drawn on, plus face makeup. Quite a few of the audience had dressed up as well, all of which made for a good vibe. The keyboards at the beginning of their opening song built the atmosphere up from the very beginning, and they benefited from excellent sound in the venue. They played songs I hadn't heard the last time I saw them - including Calm It Down, and the excellent Let Love Die. For a couple of those newer songs, I thought the guitars were excellent, and really made the band sound like a true crossover between a synth band and a guitar band. I hate to compare bands to The Killers, but I mean it as a compliment in this case! The final song of the set was the excellent The Bridge, and with no encore, they left the audience wanting more - always a good result. I was really impressed by Dead Social Club again, and will be aiming to see them again soon.

Arsenal vs Tottenham Hotspur - Emirates Stadium, London - Saturday 31st October 2009

After what seemed like an eternity since I last made it to an Arsenal game (well, it was almost two months ago), the biggest game of the season so far was not one to be missed. The baby was packed off to her grandparents, so Spurs at home could be enjoyed in full. I attended the game on 7th November 1999, which was the last time we lost to Spurs in the league - and avoiding defeat in this game would ensure we got to the 10th anniversary. Of course, in the run-up to the game, Spurs players, manager and fans were giving it large about how they are ready to overtake Arsenal now - but then, don't they always say that?

Going into the ground, it was good to see the results of the recent "Arsenalisation" in the lower tiers - lost of fantastic decoration, which makes our stadium more like a museum or art gallery in some respects - and a definite cut above any other stadium I've been to. Arsenal are leading the way once again.

Arsenal started the game very sluggishly, for the first half hour things just weren't clicking. Although David Bentley could have been booked a couple of times in the first 20 minutes, Spurs seemed to be doing a good job of containing Arsenal. Of course, certain Arsenal players didn't help with that, namely Diaby who had an awful first hour or so, and Almunia, whose distribution I thought was very poor, losing the ball pretty much every time. Bendtner seemed to be putting in the effort and playing pretty well, but even that didn't last, as he limped off after just over half an hour. And the man we all look to for inspiration, Cesc Fabregas, seemed not to quite be clicking to begin with.

Then, in an awesome 90 seconds just before half time, the game exploded into life. Robin Van Persie managed to steal in front of Ledley King, turning what seemed like an innocuous chance into the first goal. The celebrations were enthusiastic, both on the pitch and in the crowd. Then, straight from the restart, when we hadn't even properly finished celebrating, Spurs gifted the ball to Fabregas, who ran 30 yards from the centre circle and scored. The stadium went absolutely crazy, one of the best celebrations I've ever been a part of - and I think the sheer surprise that we had managed to go 2 goals up in 90 seconds, without really having threatened until then, was a big part of what was making everybody so happy. Half time arrived, and the celebrations continued in the concourses, with everybody looking shellshocked but happy.

Those 90 seconds basically won the match. Unlike a couple of annoying examples from previous weeks, Arsenal showed no signs of screwing this one up. In fact, I was surprised by how much Arsenal dominated after that, and by how poor Spurs were. Maybe I made the mistake of overestimating them (an easy mistake to allow yourself to be fooled into). There were decent spells in the second half where Spurs just couldn't get hold of the ball, and the "ole" shouts started with a good 20 minutes to do. They even almost gifted us the third goal too - inexplicably stopping playing when the referee had clearly waved play on. Their stopping almost fooled our players into stopping play too, but luckily we went on to get the goal. We even had the opportunity to miss a couple of complete sitters later on - and at 3-0 up, even Diaby started to stroke the ball around, now that it didn't matter any more.

Any win against Spurs is always received well in N5, so when the final whistle went, it provoked an afternoon and evening of celebration around the pubs of Holloway Road. By normal standards too, this was a decently emphatic victory - we never seem to stick 5 past them, which is a shame, but this was as emphatic as we tend to get against them. Just what the doctor ordered, and our incredible average of over 3 goals a game continues.

Kasabian, Amorphous Androgynous - Forum, London - Wednesday 21st October 2009

Off to the "HMV" Forum for the second time in a week, for a Q Awards gig. Despite Q magazine being possibly THE most out of touch and "dad-rock" loving publication in the world, their interests do occasionally manage to happen upon decent bands. So, a chance to see Kasabian in a much smaller venue than they would ever normally play (at least in this country) was a gig I was quite excited about.

I got into the venue in time to see a decent amount of the support band, an act called Amorphous Androgynous. When I arrived, they were playing a strange cover of Oasis track Falling Down. I say a "strange" cover, because the band had 9 members, playing an eclectic mix of instruments - kind of a hippie band, and a new version of the Polyphonic Spree. I was utterly unsurprised to see that they are supporting Hawkwind later this year. A few of their songs actually sounded pretty good, but they were a weird, weird band to watch, especially to watch in support to Kasabian.

After what seemed like an unreasonably long changeover, with Kasabian's old roadie guy having some good banter with the crowd, the opening bars of Underdog kicked in, and provoked the obvious enthusiastic reaction from the crowd. When Tom came on stage to start singing, I thought two things. First, that he had had a much needed but very dubious haircut. And second, that the sound was screwed to the point that you couldn't really hear much of the vocals or guitar on Underdog. A shame, because its a great song, but luckily the sound improved hugely after that.

The set itself was a fairly standard one for this year, very similar to what they were playing when I saw them in July. One thing that is obvious when watching Kasabian is the number of excellent singles (or otherwise very strong songs) they now have. There are a good half dozen from their most recent album (like Underdog, Fast Fuse, Fire, Where Did All The Love Go, etc), and about the same again from the previous two albums combined. That means they have a good dozen huge tunes to play, which means you don't end up with too much album track filler. That probably goes some way to explain why their live sets are going down so well.

Of course, as well as having the dozen excellent songs, they also have the two or three truly massive songs, that are becoming amongst the songs that this decade will be remembered by. So, when they kick into Club Foot as the last song of their main set (a song that is all over the TV and at football grounds, despite being five years old now), you know you are watching a band who aren't just making music for now - they are writing songs that will still be being played in ten and twenty years time. That, as well as their ability to put on an excellent live set, makes Kasabian gigs a pleasure to attend - you get to watch a band writing themselves into guitar music history, and UK popular culture. Great gig.

The Cribs, Adam Green - Forum, London - Thursday 15th October 2009

Having just released what is possibly the best album I've heard in 2009, I snapped up a ticket to see The Cribs at the Forum in London. As the gig approached, I was even more pleased to see that Adam Green was supporting them - they certainly seem to have a knack for picking incredible support bands sometimes. All of this, plus Comet Gain opening up, meant that the area around the venue was pretty busy much earlier than normal for a gig there.

We got into the venue just after Adam Green had come on stage, so got to see most of his set. He seemed to be playing most of his hits, and I was very pleased to catch Jessica soon after I came in. He had something of a band with him, so it seemed like a full (but a bit short) Adam Green show. He seemed to go down quite well with the audience, and I certainly enjoyed his set.

Then to The Cribs. This was a relatively small gig for them (certainly by comparison to what they had lined up for later in the year), and it was all the more exciting for it. They are certainly one of the more exciting bands out there at the moment, especially when you watch the obvious chemistry between Johnny Marr and the rest of the band. They walked on stage to cheers, and launched straight into the fantastic opening track from their new album, We Were Aborted.

Cribs gigs are always full of nice surprises in the setlist, and this was no different - Hey Scenesters coming along right after the opening song. They play two or three songs at a time, without speaking in between, which just adds to the sense of delight when they kick into a song you really love. And a lot of people really do love a lot of their songs - the earlier ones especially getting great reactions from the hard core.

By the time the set was breaking down to some of the later songs like Ignore The Ignorant, Be Safe, and Men's Needs, you got the feeling that you were watching a truly exciting band, playing at the peak of their excellence. The crowd loved it, the intensity never seemed to dip for a minute, and the whole thing was quite brilliant from start to finish.

Setlist: We Were Aborted / Hey Scenesters! / I'm A Realist / Emasculate Me / Girls Like Mystery / Last Year's Snow / Cheat On Me / We Share The Same Skies / We Can No Longer Cheat You / Direction / Hari Kari / Save Your Secrets / Our Bovine Public / Another Number / Ignore The Ignorant / Be Safe / Mirror Kissers / Men's Needs / City Of Bugs.

The Pixies, Art Brut - Brixton Academy, London - Thursday 8th October 2009

As reforming bands go, there aren't many bigger than The Pixies. They had a crack at reforming a few years ago, and played a load of concerts to generally rapturous audiences and reviews. This time, they got back together to play a series of "20th Anniversary" gigs, to celebrate the release of Doolittle - their most popular album. With tickets at £30 a go, merchandise at high quality and high prices, and £15 CDs of the gig on sale - it was safe to say that they were being paid quite well for their efforts.

This was one of four shows at Brixton Academy, each of which had a different support band. The support for my night was Art Brut - they played to a half empty venue, most of whom had never heard of them before, but I enjoyed every minute. Eddie Argos shambled on stage during thr opening riffs of Formed A Band, in a suit which looked like he'd just come from work (like most of us actually had). He looks like a very unlikely band frontman, but the cleverness of their lyrics and the quality of the guitar riffs, make them a mesmerising band to see live - if you "get it". I do, but I suspect that a majority of this audience did not, and were probably thinking "what the hell is going on here". So, I really enjoyed the set, but it played out in front of quite a few bemused onlookers, especially those in their late 30s as most Pixies fans seem to be.

After what seemed like an eternity, during which anticipation in the venue was almost reaching fever pitch, the film Un Chien Andalou (or at least an edited version) started up - at the end of which the band walked on stage and played a couple of b-sides. They then proceeded to play the whole of Doolittle in order. The opening bars of first track Debaser witnessed cheers the like of which I don't think I've ever seen at a gig before, it was like the venue was going to explode with happiness. One of the good things about this particular album is that the "hits" are fairly evenly spaced throughout, so there was never too long to wait for a real crowd pleaser.

Overall, I have to say, the album sounded great, the band really seemed to be enjoying playing it, and the crowd certainly enjoyed listening to it. After Doolittle, we were treated to a couple of encores - some more b-sides, and a couple of hits from other albums. This was a pretty expensive night out, to hear some admittedly fantastic music - you get the feeling that the Pixies could spend a good many years yet, just milking the cash from an adoring fanbase. Gig review here.

The Lemonheads, The Loose Salute - Forum, London - Saturday 19th September 2009

It never seems like often enough that The Lemonheads visit the UK. The last time the full band were over here was last summer, for an outdoor gig on a blazing hot day. Before that, the last time I had seen them was in a bar in Chicago, on a freezing cold December day. Although it always seems like too long between chances to see them, luckily they always seem to come back to play another gig - hopefully they will never retire.

The audience at this show, unsurprisingly, were a bunch of 30-somethings who were reminiscing 1992 by coming to the show. The support band, The Loose Salute, played their set to general indifference, given that few would have heard of them, and that they weren't all that similar to The Lemonheads in terms of their songs. But then again, support bands are fairly irrelevant at shows like this, it is all about seeing the main band.

So, after what seemed like a very long wait for the roadies to set up 3 instruments, the band appeared. Evan said hello, then they started playing Tenderfoot - a song which, when it is the first song of a gig, always bodes well for the rest of the gig. How good Lemonheads gigs are can depend on Evan Dando's mood when he is on stage - they only really vary between "utterly amazing" and merely "good", but how up for the show Evan is can have quite an impact. Luckily for this gig, he seemed to be having a good time! The first half of the set was drawn mainly from Its A Shame About Ray, Come On Feel The Lemonheads, and Car Button Cloth, before the band showcased three songs in a row from recent covers album Varshons. The highlight of the three for me was undoubtedly Layin Up With Linda, for which Evan's vocals were outstanding.

As is usual for Lemonheads gigs, there was a short acoustic interlude, where we were treated to Different Drum - a rare pleasure indeed. With the band back on, they finished up with a fantastic version of Rudderless. Fairly standard Lemonheads show - but when your standard is that good, its always going to be a good night. Please come back to London soon!

Setlist: Tenderfoot / Down About It / Confetti / Pittsburgh / My Drug Buddy / Alison's Starting To Happen / Style / Bit Part / Its A Shame About Ray / Big Gay Heart / Hospital / Layin Up With Linda / I Just Can't Take It Anymore / Dandelion Seeds / Its About Time / Hannah And Gabi / If I Could Talk I'd Tell You. Acoustic: The Outdoor Type / Frying Pan / Favorite T / Being Around / Why Do You Do This To Yourself / Frank Mills / All My Life / Different Drum. Encore: My Idea / The Great Big No / Rudderless.

Mumford And Sons, King Charles - The Scala, London - Wednesday 16th September 2009

Mumford And Sons gigs in London are like buses in London - you wait ages, then they all come at once. Only a few weeks since their excellent Borderline gig, the band were back, this time at the Scala for what is probably their biggest headline show to date. The show had actually been set for April, and almost sold out since then, so it is fair to say that anticipation was high. You know you are getting somewhere as a band when there are touts outside your gig, and by this yardstick, evidently Mumford And Sons are starting to get big.

Inside the venue were a lot of what seemed to me to be London students - lots of checked shirts, cardigans and floppy haircuts, and a fair few female fans. I wrote after their Borderline gig that Mumford And Sons reminded me of the Magic Numbers in the early part of their career - and the crowd at this gig definitely seemed to bear that out. There were lots of couples there to see a band that will probably become a very acceptable band to take a girl on a date to see.

Anyway, enough about the audience. I managed to catch a few songs from the main support band, a band whose name makes them quite difficult to find with a simple Google search. King Charles isn't the easiest band name to find online, but there we go. Their singer was wearing a very tight and bright stripy leotard type thing - and with crazy dreadlocks, he looked generally very "alternative". No, actually, he looked like a total state. So, at first glance, I thought "I am going to hate this lot" - which meant it was a very pleasant surprise when I heard their songs. They played some decently catchy, quite funky songs, with a drummer that looked a bit like Boris Johnson, and this singer leaping madly around the stage. He generally seemed a bit needy of attention, and everything he did screamed "LOOK AT ME" - but the songs sounded good, and that's all that matters I suppose.

By the time Mumford And Sons ambled onto the stage, there had been quite a wait since the support band, which meant that the anticipation had built to quite a level. They walked on stage, and stood fiddling with their instruments for a minute or so, as the spontaneous cheers and applause filled the venue - without them even having played a note. When they did play a note, it was to kick off with the incredibly powerful and atmospheric Sigh No More, the title track and opening track from their new album. The way that this (like many of their songs) starts off quietly, then builds to such a rich finale, can send a shiver down your spine when you are watching and listening. Fantastic band.

This was one of the first gigs where the band have been touring their album as such, so it gave a good opportunity to hear how those excellent early demos and EP tracks have been translated into an album. They had an extra 5 musicians at the back of the stage, so the sound was definitely deeper and more complex - but for me, this took something away from the beautiful simplicity of 4 people playing acoustic instruments. In a way, the extra musicians added bits to the songs, and meant that the real band had to work a bit less hard - but it seemed to take away from the intensity of it all, to some degree. Still, with songs as good as they have, I'm sure their album and their live set will win them a huge number of fans on this tour. I'll definitely be aiming to come back, the next time they play in London.

The Hold Steady, Nic Dawson Kelly - Islington Academy, London - Thursday 10th September 2009

After an enforced travel ban, during which I haven't been to America for 9 months, a Hold Steady gig was always going to make me nostalgic. As part of a short trip to the UK to play the End of the Road festival, they also managed to find time to squeeze in a London date - and it was a relatively small one, at Islington Academy. Knowing that when they are in London, they stay at the Jury's Inn around the corner from this venue, I couldn't help thinking that this played a big part in the choice of venue.

I got into the venue just in time to see a bit of the support act, a guy called Nic Dawson Kelly. He played typical singer songwriter fare, leading with his guitar and some interesting sounding vocals. His voice didn't seem to be all that powerful or distinctive (although of course this could have been thanks to the sound), but a couple of the songs were interesting enough. Whilst his set was going on, the venue was slowly filling up with a few hundred balding men in their 30s or above - just the core audience for a Hold Steady gig then!

When the band arrived on stage, it was pretty obvious from the outset that they were very up for the gig, and were on very good form. Kicking off with Constructive Summer and Hot Soft Light, the venue became suitably hot and sweaty within five minutes of them starting the show - and of course, that was the way it all continued. Just what the doctor ordered. The band seemed to be having fun from beginning to end, so the gig became one large party, soundtracked by Hold Steady songs.

We also got to hear a couple of new songs in this set - a couple of which sounded really rather good indeed. Presumably this was a warmup for their festival set a couple of days later, but hopefully the new songs may mean there is a new album coming in the not too distant future. Good though the new stuff sounded, it was the old favourites that really sent the venue crazy, Your Little Hoodrat Friend in particular seeing bodies flying around at the front. As the encore drew to a close (including a rare treat of a rendition of How A Resurrection Really Feels - one of quite a few songs from Separation Sunday that were played), Craig Finn left us all with the words:

We're The Hold Steady, you're London, England, and we fucking love you.

On this showing, there is an increasing number of committed people that love this band too. This was a relatively small gig for them, but their fanbase seems to keep on growing in size and fervour. Quite justified it all is too, The Hold Steady on their day can put on a live show that few bands can top. This was one day where they were on incredible form, and it was a fantastic gig as a result.

Setlist: Constructive Summer / Hot Soft Light / Multitude of Casualties / Magazines / Our Whole Lives (NEW) / Sequestered in Memphis / The Swish / Massive Nights / Party Pit / Goin' On A Hike (NEW) / Stevie Nix / You Can Make Him Like You / Heaven (NEW) / Sweet Payne / Same Kooks / Separate Vacations (NEW) / Little Hoodrat Friend / Stay Positive / Slapped Actress. Encore: First Night / Stuck Between Stations / How A Ressurection Really Feels / Killer Parties.

England vs Australia (1st ODI) - The Oval, London - Friday 4th September 2009

After completing the Ashes victory at The Oval, it was (almost) straight back there for the first of a seven game one-day series. I say "almost", there were 2 T20 games, neither of which produced a result, so we had been starved of cricket for a couple of weeks. Obviously, some of the personnel were different for this game than for the tests, with people like Owais Shah and Ravi Bopara back in the lineup. Joe Denly sadly missed out, after being tackled in a football kickabout the previous day (by the aforementioned Mr Shah), and Adil Rashid was somebody that most fans were looking forward to seeing.

After winning the toss and putting Australia into bat first, England did a decent enough job of restricting them to a not too damaging total. The Aussies started well and finished well, but the middle of the innings saw England restricting them from scoring too much. Rashid and Swann were the pick of the economical bowlers, and Paul Collingwood weighed in with a couple of useful wickets. They picked it up at the end of the innings, but 20 overs in the middle where they hardly scored ensured that England had a very gettable total of 261 to chase.

Having done some of the good stuff first, England then did what they often do in 1 day cricket - failed to finish the job. The target of 261 was always in sight, but we were always behind the pace in trying to chase it. It meant that England were never out of the game (literally until the last ball, where they needed a six to win), but we never really kicked into gear and started scoring quickly enough. So, there was the hope that we might make it, but an ever growing sense that we would not. Ravi Bopara was probably the pick of the top order batsmen, making a good 49; Luke Wright and Adil Rashid also weighed in with useful runs towards the end - but they were fighting against a tide that wasn't going their way.

England's one day side isn't a patch on the Test team, and in some respects, it isn't hard to see why. Shah was out hit wicket, Wright was out on a silly run out, and at least 2 batsmen pulled stupid shots to get caught. When we make mistakes like those, it isn't a surprise that we don't win games. Some bucking our ideas up is needed for the rest of the series.

Arsenal vs Celtic - Emirates Stadium, London - Wednesday 26th August 2009

This was a relatively straightforward game for Arsenal, to book an all important place in the Champions League group stages. We went into the game having won the first leg 2-0, with 2 fairly lucky goals - despite that, we had looked by far the better side, so 2-0 probably wasn't an unfair score. We won this game 3-1, with a dodgy penalty to get us on our way, and 2 very well worked second half goals to round off a pretty comprehensive victory over the 2 legs. All simple and boring enough.

But of course, what this game will now be remembered for, thanks to the media's stupidity, is the fact that our penalty for the first goal should probably not have been a penalty. Did Eduardo go to ground easily? Probably. Was it the most blatant dive ever? Not really. Is he the only player ever to have done so? No. Will the media scream as loudly the next time Rooney, Drogba, Gerrard or somebody from one of their favourite clubs does the same? Of course they wont!

In the media's eyes, Eduardo became the first player in English football to dive for a penalty, since Robert Pires did so in 2003. When Rooney did it in 2004 to end our 49 game unbeaten run, they said nothing. When Dirk Kuyt did it in the Champions League in 2008, they said nothing. When Steven Gerrard does it, they say nothing. I really don't like being paranoid, but the media's reaction (along with all the talk of UEFA investigations, retrospective bans and the like), just smacks of some kind of anti-Arsenal agenda. When other players from other teams do the same, it just never seems to get the oxygen of publicity to keep the story alive for so long.

So Eduardo will now be held up as the symbol of everything that's wrong with football (even in a week where hundreds of West Ham and Millwall fans had pitched battles outside Upton Park, like something from the 1970s); and all the fuss may even provoke a UEFA investigation and ban. No problem, as long as the same applies to all other players who are found to be doing the same. The fact that has absolutely no chance of happening is the annoying thing - some players and clubs seem to be immune from this kind of treatment in the eyes of the media. Hopefully, Arsenal can use this to their advantage - to build a mentality that everybody is against us, to use that to build a great team spirit, and do good things this season. That would annoy all of the anti-Arsenal idiots more than anything else.